Well today the philosophy is if it looks crap it 'aint finished The paint will dry, I can work on it tomorrow.
One technique
is white wet acrylic, thin/normal consistency
with a layer of
Gesso, thick uneven over the wetwhite paint, then take a flat paint brush with an acrylic colour
Pull the flat paint brush with the colour across the surface
The clear gesso is a barrier between the white paint and acrylic colour
The white, where the brush bristles make contact with white acrylic, leaves clean lines of white,through the transluscent colour
White will be the dominant colour where the colour on the brush thins from the loss
of paint on the brush.
2 technique
is gesso left to dry straight on the surface
This creates a surface with colourless thick/thin paint bush strokes
brush-like marks of gesso
Paint over the gesso with acrylic and it looks like you've used a lot of paint on a brush
Thats if you use a brush to do this method
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